Tired

For Quvenzhané Wallis and McBaby Girl

In about seven weeks, my brother and sister-n-law will give birth to their first child, and I will get to meet my niece, so far known to the world as “McBaby Girl.” To say that this little girl is highly sought after would be an understatement; reservations are already being taken for who gets to care for her first. Yes, this baby will be a community child—born into a community of grandparents, aunts, uncles, cousins and friends who are nosey, loud and will certainly get on her nerves. Nevertheless, with all of us in her business for the rest of her life, she will know that she was highly anticipated. We’ve been waiting for her.

Thinking about McBaby Girl makes things like The Onion’s supposedly satirical tweet about Quvenzhané Wallis, the nine-year old African-American actress who became the youngest actress nominated for an Academy Award this year, difficult to shake. If you don’t know by now, on this past Sunday during the Academy Awards broadcast, someone at The Onion posted a tweet calling Wallis such a deplorable name that I’ve never actually heard it uttered in real life.

I didn’t watch the Academy Awards, nor did I follow the conversation on Twitter, so I had no knowledge of what happened until I woke up on Monday morning and read about it. When I read the Tweet, my first reaction was that it was obviously a typing error; no grown human being would actually use that word to refer to a nine-year old child. Sadly, there was no typing error.

Since reading the Tweet, I’ve tried to muster up the energy to get outraged, but the truth is I’m tired…just like I was tired when I heard about rapper Lil Wayne’s lyric in which he compares the violent lynching of Emmett Till to the “beating” of a woman’s vagina…just like I was tired when, last year, rapper Too Short took it upon himself to instruct little boys on how to sexually assault young girls. I’m tired of the constant abuse that black women’s bodies take in the media, and I am even more tired of the excuses used to rationalize such behavior.

I am tired of hearing that it’s just a joke or a song or a video. I am tired of hearing that he is just a rapper that no one takes seriously anyway. I am tired of hearing that if we—black women who dare get offended at having our bodies constantly treated like a public piñata—didn’t get so upset, then it wouldn’t become such a big story. I am tired of being told to lighten up or calm down or get over it. Mostly, I am tired of this world treating little black girls like no one waited for them…like no one sat up nights praying and asking for them…like they are accidents put here as convenient sources of amusement.

A community waited for Quvenzhané Wallis. Her name, body and spirit were not put here as a joke.

Being a black girl is tiresome, but, unfortunately, there is little time to rest. We must move on to arm ourselves for the next assault. Black women are constantly preparing corners of our world with affirmations, books, songs and blankets of black girl love to quickly cover and heal our wounds. We build fortresses for our younger sisters, daughters, cousins, grandbabies and nieces to sit enclosed, surrounded by the truth of who they are so that, hopefully, the world’s attacks won’t cut so deep.

Though I am tired, I have little time to rest. I have a fortress to build for a little McBaby Girl. In my home she will have a corner of affirmations, and books, and songs, and blankets of love so that, if she ever needs to, she can sit enclosed, surrounded by the truth of who she is. I pray she never needs it.

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Brick Walls, a kind of free write

Yesterday I took a walk in the historic downtown district of the city where I live. I brought the new, fancy camera that I just purchased to get in some practice. After an hour of snapping poorly exposed photos of buildings and trees, I managed to take a decent photo of a red leaf vine growing over a brick wall.

During my excursion, I was concentrating less on telling an interesting photo story and more on capturing something that didn’t scream ‘I don’t know what I’m doing!’ When looking at the vine on the wall, I was attracted to the colors–the near perfect match of red in the brick and leaves–and the pattern of the vine.  It wasn’t until I got home and took another look that I noticed how the vine added another layer to the brick wall, as if adding another dimension of life to it.

What the photo doesn’t show, and what I honestly didn’t think to explore until now, was where the vine is growing from. Behind the brick wall is the yard of a historic farm-house that is a landmark in the city. The wall acts as a barrier between the yard and the street. I imagine the vine started growing in this yard and, upon meeting the brick wall and determining there was no way to grow through it, the vine decided to grow up and over it.

Maybe we have something to learn from this vine.

We–people–encounter brick walls too. While they may not be physical, they are just as palpable. These walls are made of things we hold onto–emotions, histories, experiences–that we didn’t even know mattered to us until they are all piled on top of one another in an impenetrable form. It’s usually at this point, when the walls have taken shape and are impossible to get through, that we feel hindered by them.

So what does one do in the face of a brick wall? There are a few options. You can try to ignore it, but that rarely works. I mean, it’s a big, brick wall; not easily overlooked. You can try to be poetic about it, but that’s just a diversion. After the poem and applause, you’re still staring at a wall. You could tear it down. But, in a twist of irony, that thought is paralyzing. Yes, the wall is restrictive, but at one point it protected you. You built it for a reason and it is a part of you, or you a part of it. Either way, tearing it down would leave you too vulnerable.

What if you grow up and over it?

What if by acknowledging that the wall is there, but refusing to let it stop you from growing, you simply add another layer–another dimension–of life to it? What if you keep the wall and it keeps you…and together you create something different.

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I Got a Liebster!

Thanks to all who read my last essay and shared it with someone. It was for a writing contest that, unfortunately, I did not win. But, when one door closes, another one opens. And this door has the Liebster Blog Award written all over it! I don’t know the origin of this award—Liebster, if you’re out there, who are you?—but I’m totally grateful to my soul sister Amy Pimentel, author of the blog There Goes Gravity, for tagging me with this honor:)!

What is the Liebster Award?

The Liebster Blog Award is given to up and coming bloggers who have less than 200 followers. The Meaning: Liebster is German and means sweetest, kindest, nicest, dearest, beloved, lovely, kind, pleasant, valued, cute, endearing and welcome.

The Rules:

1. If you are tagged/nominated, you have to post 11 facts about yourself.
2. Then you answer the 11 questions the tagger has given you & make 11 questions for the people you are going to tag.
3. Tag 11 more Bloggers.
4. Tell the people you tagged that you did.
5. No tagging back.
6. The person you tag must have less than 200 followers.

So, according to the rules, I must tag 11 more bloggers with this award. But first, I’m told I have to give you 11 facts about myself and answer the 11 questions that Amy wrote. So here goes.

11 Fun Facts about Me:

  1. I’m always cold
  2. I made up a dance to “I’m Every Woman,” the Whitney Houston cover of the Chaka Khan song, in the sixth grade when I tried out for my middle school’s cheerleading squad. I did make the squad and went on to have a very successful high school cheering career. I don’t remember any cheers. Seriously, not one.
  3. I forget names.
  4. I believe email is an art form and I take it very seriously.
  5. Budgeting gives me anxiety.
  6. My mom’s macaroni and cheese is my favorite thing to eat in the world.
  7. It is for this reason (#6) that macaroni and cheese is the benchmark by which I judge all so-called “soul food” restaurants. If a restaurant’s macaroni and cheese isn’t authentic (by authentic I mean baked, with real cheese, milk, eggs, and butter) then it is not a soul food restaurant. Plain and simple.
  8. I was raised in the south, a fact that is becoming more and more important to me.
  9. I am a proud graduate of North Carolina A&T State University and an avid supporter of Historically Black Colleges and Universities (HBCUs).
  10. I can be guarded.
  11. I am my most honest when I’m writing.

Amy’s questions:

  1.  Do you have regrets, or is regret for suckers? I think it’s hard not to have moments of regret. The key is to not become overwhelmed by those feelings. Feel them, process them, learn from them, and move on.
  2. What’s your favorite song right now, at this moment? Watercolors by Columbia Nights
  3. What sounds do you hear right now? Someone in the office next to me on the phone and Talib Kweli playing on Pandora.
  4. If you could go anywhere in the world, where would you go? I want to make it to the African continent, although I’m not sure which country I’d choose first.
  5. What story have you been sitting on and too afraid to tell? Will you ever tell? If I’m too afraid to tell it, why would I write it here? You’re not slick Amy P.! I used to be afraid to talk about when I had a hard time emotionally in college. I’ve hinted at it a few times in things I’ve written, but I’ve never fully explored it. I think it’s because I don’t fully get what happened myself. Maybe I’ll try to tackle that one day.
  6. Have you or would you date someone ten years younger or older than you? I could see going ten years older. Ten years younger would just depress me.
  7. What do you love about being you? I love that I’m a goofball. People tend to think that I’m a very serious person, and I can be, but I really just love to laugh.
  8.  Is monogamy possible, or does everyone cheat? Monogamy is possible.
  9. Paper or plastic? I find that paper fits more stuff, but plastic is good for the bathroom garbage can. It’s a toss-up.
  10. What do you want to be when you grow up? A woman who sits in sunrooms and wears beautiful caftans.
  11. What five movies do you love? Love Jones, You’ve Got Mail, Singing in the Rain, Brown Sugar, The September Issue

I now tag these bloggers with the Liebster Blog award (I didn’t make it to 11).

The New Eclectic
Capitol Media USA
actually Katie
When Ideas Fail
Crystal’s Database
East Coast Insomnia
A Sprinkle of Salt
A Time for Every Purpose

Questions to answer:

  1. What book has changed your life?
  2. What/Who inspires you?
  3. When is the last time you laughed really, really hard?
  4. Who is your favorite artist? (Define “artist” however you’d like.)
  5. Twitter or Facebook?
  6. How soon do you check your stats after making a blog post?
  7. What do you wish more people knew about you?
  8. What is your dream?
  9. What are you most thankful for?
  10. If you could compete in an Olympic sport, what would it be?
  11. Do you know all the words to the “Fresh Prince of Bel-Air” theme song?

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Inspired by Kerri Strug

(Also, my entry into The Freelance Writers Den contest)

It was the summer of 1996 and the Olympic games were being held in Atlanta, Georgia. I sat in the den of my North Carolina home with my mom and brother as we watched the U.S. women’s gymnastics team battle the Russians for the team gold medal. My family and I, along with the rest of America, sat with eyes glued to the television as the U.S. team faced its last apparatus—the vault—and Kerri Strug was the final gymnast to take her turn. Minutes before, Dominique Moceanu had taken two falls, leaving securing the gold up to Strug. We watched nervously as Strug took her first attempt. She fell on the landing, hurting her ankle so badly that she could barely walk. Yet, her team seemingly needed her to do the second vault to secure the gold. What would she do?

As if on cue, my dad walked through the front door, home from work, and the sound of his shoes hitting the hardwood floors as he walked down the hallway cut into the moment’s intensity. Oh, and did I mention that the gymnastics competition was being broadcast on a tape delay? Without warning, and before we realized what was happening, my dad entered the room and said,

“You all know the women’s gymnastics team won the gold medal, right?”

My brother and I fell to the floor with hands raised to the heavens. “NOOOOOO!!!!!!” we screamed. Seconds before Strug took her second vault, my dad had committed the worst spoiler imaginable.

Watching Strug take the second vault, stick the landing, and help the U.S. team secure the gold medal was still exhilarating, and I think about that moment during every Olympics…or any time I want to remind my dad of how he ruined one of the most incredible sports moments of all time. What stands out about that moment is its defining nature. Olympic athletes prepare themselves for make-or-break moments—opportunities that test not just their skill, but ultimately their courage and belief in themselves.

I was recently surprised when I learned that Strug didn’t actually need to take the second vault, and risk immutable damage to her ankle, in order for the U.S. team to win the gold medal. According to a NY Daily News article from 1996, the mathematical chance that the Russians could have caught up to the U.S. team after Strug’s first vault was so minor that she could have sat the second one out. Of course, Strug didn’t know that at the time. She told Jane Leavy, writing for Sports Illustrated in 1997, that she remembered asking the question, “Do we need this?” In that moment, to Strug, to her coach, to her team, the answer was yes.

I’m sure it was more than unsettling for Strug to later learn that, realistically, she hadn’t needed to take the second vault. But, if I may project a little, in asking Do we need this, maybe Strug was really asking Do I need this? Up until that point, Strug wasn’t a gymnastics star. Leavy describes her as having been “overshadowed” by her peers. Perhaps, Strug needed to prove that she had what it took to block out her pain, hurl herself into the air, and come out on the other side with feet fully planted on the ground.

Of course, I don’t know what Strug was thinking. But I do know what I was thinking on the day that I decided to quit my perfectly comfortable job to work as a freelance writer:  Am I really going to do this? I wasn’t up for a gold medal, but the phone sitting in front of me was as daunting as a vault. My running start was dialing my boss’s number, and to land fully on my feet, I had to get the two words “I’m leaving” out of my mouth without throwing up. It was a make-or-break moment, and though I didn’t have to do it, I needed to.

As much as I struggled with splitting my time and mental energy between full-time work and a part-time passion, I could have resolved to do it for a bit longer. However, the reality remained that when I decided to go out on my own, it was going to test my courage and faith in a way I had never experienced.

Sometimes in life, you have to block out the fear and hurl yourself into the air just to prove you have what it takes to land, fully grounded, on the other side.

I describe more fully my need to walk away from my job in my recent essay “A Sounding Call.” But now that I’ve gone and done it, I realize that there are some other things that I need. Specifically, I need mentors and a network of colleagues who know more about the freelance world than I do, which is why I’m writing this essay and entering The Freelance Writers Den contest. Winning this contest would be a tremendous boon to my start as a freelance writer because, in essence:

I need a coach.
Currently, most of my writing coaches are related to me. I often show my writing to family or close friends to get their opinion, which is always positive. While that’s great for my ego, I know I have a great deal of room to grow and refine my writing. Thus, I need to find writing mentors and coaches that can give me unbiased opinions of how to become stronger. For this reason, I am particularly excited about the one-on-one coaching sessions offered through The Freelance Writers Den contest, as well as the opportunity to network with writers with whom I can build relationships and workshop pieces over time.

I also need a playbook.
My goals are to work as a freelance magazine writer and publish literary essays. Aside from a year of creative writing in high school and typical English classes, I’ve never formally studied writing. I didn’t go to journalism school or take creative writing courses in college.  While I am confident in my talent, the training offered through this contest, such as the 4-Week Journalism School Audit and the Writing for Magazines e-course, would help me build a playbook of rules to follow…or knowingly break.

Lastly, I need a team.
Although writers tend to act in solitude, I know I won’t go very far alone. I need teammates—a network of working writers who know the rules of the game. I already regularly consult The Renegade Writer and Make a Living Writing for tips and pointers. Having a year’s membership in The Freelance Writers Den and being able to communicate directly with writers about some of the things that I’ve learned would be an invaluable resource.

Throughout my life, I’ve always touted writing as a skill. However, not owning my identity as a writer held me back from believing I could pursue it full-time. Now, I view writing as more than a skill; I consider it be an indelible part of who I am. Writing is how I see the world, how I answer questions, how I understand. I also view writing as my main platform for giving back to the world—by telling stories that inspire others to believe in their own dreams, potential, and ability to fly over life’s vaults and stick the landing.

***

This essay is my official entry to win a year’s membership into The Freelance Writers Den and other great prizes sponsored by Carol Tice of Make a Living Writing and Linda Formichelli of The Renegade Writer. If you like this post, it would be nifty if you’d click one of those share buttons (Twitter, Facebook, etc.) down below. It just  might help me win!

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A Sounding Call

Photo: Chriscom (CC)

For the last few weeks, I have tried to write an essay entitled “Waiting for Now.” It would be a veiled attempt to discuss my desire to leave my job and dedicate myself, full-time, to a freelance writing career. I planned to use a cleverly crafted metaphor that somehow revolved around my displeasure of waking up in the morning and always waiting until 8:05 a.m. to get out of bed—the “now” moment for waking up and making it to work on time.

You can see why writing this has been difficult.

I’ve been somewhat frustrated about not being able to find this essay. As it turns out, life found the essay before I did when one week ago I told my boss that I was leaving my job to pursue a freelance writing career.

The moment was prompted by an error. It wasn’t the kind of error that one loses one’s job over. It was the week of the July 4th holiday, which this year fell on a Wednesday. Our CEO chose to close the office at 2:00 p.m. the Tuesday before we were to enjoy the day off. Earlier that day my boss, who works in New York, asked me to send him some information for a meeting he was to have on Thursday of that week. Eager to take full advantage of the holiday’s head start, I left the office forgetting to send him the information. He wasn’t pleased and expressed as much in an email that Thursday morning. I brushed it off at first, acknowledging that I had screwed up but also that no one was going to die over the situation.

But then my mind began to go down the path of mistakes past, stacking all of my screw-ups on top of one another. They appeared to have increased in the most recent months. My mind ran over all the emails that I had lately opened with “I’m sorry” or “I need more time” or “I’m almost done.” “I’m horrible at my job,” I thought. “I’m not focused on it and I want to be somewhere else…so maybe I should be.”

I’m probably not describing this scene accurately. I’m probably failing to paint the clearest picture so you can know how one curt email from my boss sent me into a tailspin and ended with me telling him I was leaving. Have you ever picked a fight with someone about something really small just so you can have a fight about something infinitely bigger—a resentment you’ve been holding, waiting for the right opportunity to let that person know how they’ve wronged you? In this case, I held no personal grievance against my boss, but I did have resentment. I resented the fact that I had these words inside me with nowhere to place them, no energy to develop them, no room for them to lead me. There was no one to blame for this feeling, no one with whom to pick a fight. Yet, I needed to have a fight.

I needed a moment to say the words out loud to someone for whom they weren’t just fanciful thoughts but they were real and held tangible consequences.

I exhausted myself with worry that day, but I decided I would not let anyone else know. I went about doing normal, worker-like things. I answered emails. I walked back and forth to the kitchen filling cups with water and coffee. I printed things and held pieces of paper in my hand. I didn’t know what was on those pieces of paper, but I needed something to occupy the space in front of my eyes so I didn’t sit and stare, painting imaginary canvases with my fear over and over.

I wasn’t hungry, but I nibbled on the trail mix and fruit that I had packed for my lunch. I ate a frozen burrito that afternoon so I wouldn’t need to buy food at the baseball game. There was a baseball game. I had accepted a free ticket to see Washington D.C.’s professional baseball team, the Nationals, play that evening. It was a suite ticket. The only thing I wanted to do at the end of that day was go home and crawl into bed, but not showing up would be rude and indicate that something was wrong, an indication I didn’t want to make. So I went to the baseball game. I sat in the brutally muggy Washington, D.C. heat (I don’t know why I chose to sit outside and not in the air-conditioned suite, which is the entire point of being in one). The person to whom I directly report was there also. I sat next to her struggling to find small talk. I am no good at small talk in general, but I thought on this particular day I might be granted some topics for inconsequential conversation. I wasn’t. I sat there, responding when she asked me questions but seldom else talking. Finally the game was over, the Nationals won, and I could go home. I could finally crawl into bed. I could temporarily turn off the worry.

The next day I awoke to my stomach in knots. I knew the conversation I had to have, the words I needed to say. I wasn’t completely sure whether I was going to say them on that day. When I got to work I would decide. When I sat in my seat and turned on my computer and opened my email and started composing a new message, I would decide if I was going to broach the subject or swallow the lump in my throat that had made its way up from my stomach. I started typing.

Subject: “Do you have time for a quick call this afternoon?”

I sent the email at 1:41 p.m. We set a time to talk for 4:15. I had 2 ½ hours to spin. I didn’t know what his reaction would be. I didn’t know if he was still irritated by my gaffe the day before. I didn’t know if he would tell me to leave that day. I prepared. I cleaned up my office and packed personal items into my purse—a canister of tea, a small bag full of pain medicine, bobby pins, band aids, and other such items that I read smart young professional women should keep handy in their office. I threw away papers I no longer needed. I put my HR handbook in my bag to consult later when I needed to call and ask about staying on the company’s insurance through COBRA. I was prepared to walk away.

Walk away and do what? A perfectly rational question, the answer to which was not all that affirming so I chose not to focus on it. I had a plan, but it wasn’t as far along as it should’ve been. I was close to my savings goal, but I was also spending more than I needed to lately. I hadn’t met with an accountant or created a website or ordered business cards. I was preparing myself to walk away into nothing—no new job, no new start date, no new direct-deposit forms to fill out. People don’t do this. People don’t walk away from health insurance and 401K matches and paid vacations in the middle of a recession. People don’t walk away from security in favor of nothing.

“I’m leaving,” I said. I had practiced my speech. I wrote it down. “This isn’t a reaction to yesterday, although yesterday gave me a moment to pause and reflect on where my focus is, and it isn’t here.”

“What are you going to do?” he asked.

“I am going to pursue a freelance writing career.”

He told me he understood. He had, in fact, lived as a freelance writer some time ago, and it was really, really hard. I remember that phrase “really, really hard” because he repeated it a few times. He repeated it five days after our initial conversation and after he had talked with HR about a possible part-time arrangement—a suggestion he made when I first told him I was leaving—which might afford me some income while I pursued writing. He repeated the phrase after explaining it now seems to make more sense just to hire a full-time person to replace me, and maybe there would be money for part-time work down the line or the communications department might hire me as a freelance writer, or maybe I didn’t need to leave at all but could stay and carve out some  hours during the day to write and he would be very supportive of that as long as I got my other work done. It would be easier, after all, to pursue writing with cash coming in, because “I’ve done this,” he repeated, and “it’s really, really hard.”

His offer was generous. The generosity was not lost on me. I fully get how lucky I am to have someone want me to stay in a place that much that they are willing to find some compromise.

People don’t walk away from generous offers.

But after about the third time hearing how “really, really hard” leaving to become a freelance writer would be, I start to think, question, wonder if I have what it takes to do this really, really hard thing. And then I hear a drum.

A sound.

A call.

A call to my self.

A call to that place so deep inside that I don’t know where or how it exists. But it exists. I hear a response saying, “You were prepared to walk away on Friday. Today is Wednesday, and you are still prepared. You are prepared to do this really, really hard thing to find out what you are made of. You owe it to yourself to leave this earth knowing what you are made of.”

And so I heed the call. I walk away. I take the hard way out.

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Jazz, faith, and Annie Dillard

(Also a sort-of review of The Writing Life)

The Writing Life Cover

As I have come to know it, writing is not an enjoyable process. I was reminded of this recently while attending a jazz concert and being struck by how much fun the musicians seemed to be having as they played together. My attention was transfixed on the piano player as he watched the rest of his band mates, and I noticed how he would smile in appreciation for what they were doing as he waited for an opportunity to add a musical co-sign. I’m sure they had practice their set many times, but seeing the piano player’s reactions made me wonder whether there was something going on that he hadn’t expected. Perhaps his fellow musicians were surprising him with embellishments that he was delighted by.

Observing the jazz players’ expressions of enjoyment, I wondered if there was an equivalent experience for writers— moments of joyful collaboration when we are in a groove with our band mates, the words. My conclusion is there is not. Though we might fool ourselves into thinking we are collaborators–that there is some sort of give and take–the ultimate truth is the words are fully in control. They are the sole owners of the story. Knowing their power, words do not play fair. They disappear without warning and burst uninvited into thoughts. They disrupt plans and have no regard for established ideas. Words are like children who beg for an adult’s attention–once they have it, they can no longer remember what they wanted to say. The writer’s job is to poke and prod them into action. Yet, once set into motion, they fully expect to be left alone to direct the story. Herein lies the source of the writer’s frustration: with no control, writers are left to trust that the words know where they are going.

The only comfort writers have is that ours is a struggle many have endured before. This is one reason why we surround ourselves with books–they are reminders that our plight is not insurmountable. In fact, it was on a particular day when I was in need of some assurance that I sought refuge in a book store and discovered Annie Dillard’s The Writing Life, a slender exposition on this life’s absurdity—in that one willingly enters into a profession wherein there is no real control over the means of one’s trade. In The Writing Life, Dillard gives us the language to understand this paradox while refusing to allow us to wallow in the pitifulness of it all. “Yes, it is a ridiculous thing that you have dedicated yourself to,” I imagine Dillard saying, “but you’ve done it now, so get over it and write.”

Dillard strikes a mentor’s tone or that of a favorite college professor, providing both comforting advice and challenging nudges. Most importantly, Dillard disavows us of any romantic notions we may have about this life. In fact, The Writing Life could easily persuade someone to consider a different path altogether, if that someone were not wholly convinced that writing is her only marketable skill. Left with no alternative but to commit to this life as presented, Dillard offers us guidance in negotiating peace with the words.

The most important lesson illuminated by Dillard, and one writers must fully accept if they are to have any hope, is this: the story is not ours. We must surrender to the words. Dillard uses many metaphors to describe the process of surrender. The words create a path. “You go where the path leads.” The words are a “hammer” with which “you tap the walls lightly” listening for hollow parts to be filled in or disregarded altogether. In this case, as Dillard explains, surrendering often means throwing away passages that once seemed integral to the story’s structure. Though it hurts to give up a perfectly written line or paragraph, Dillard warns us that those constructions are the ones we must prepare to let go of if we are to see the truth of the story. This gets at the heart of surrender. “…it is often a bearing wall that has to go,” Dillard explains. “It cannot be helped. There is only one solution, which appalls you, but there it is. Knock it out. Duck.”

This life we choose necessitates courage—not just an editor’s courage but also the courage to admit what we do takes time. In the world of web 2.0, writers face the incessant need to produce more. Tweet more. Blog more. The purveying thought is that the more one produces, the more relevant one becomes and remains. But if we believe Dillard, which by now it should be obvious that I do, we understand that crafting a story takes time. Remember, this thing is not ours, thus we cannot expect it to adhere to our timetable. Sure, we can produce something that is readable, maybe even entertaining. But here, Dillard challenges us. Is what we have created literature? Is it craft? As writers, we have to spend enough time with the words in order to detect what isn’t right. “…x-ray it for a hairline fracture,” Dillard instructs, “find it, and think about it for a week or a year…” The danger in writing too quickly is the risk of believing that what we are able to construct in a short amount of time is actually good. Dillard teaches:

“On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away. These truths comfort the anguished. They do not mean, by any means, that faster-written books are worse books. They just mean that most writers might well stop berating themselves for writing at a normal, slow pace.”

Writing takes time. We are not in control. These truths lend themselves to an overwhelming sense of relief when we actually complete a piece of work. That relief is quickly replaced with dread, however, when we consider doing it again. Is there anything left? I have sometimes lamented, “There are no more words!” Not so, says Dillard. There are more. She encourages us to use all the creativity we have every time we engage the words without fear of running out. “Something more will arise for later, something better,” she assures. “These things fill from behind, from beneath, like well water.”

Certainly, writer’s block is a real factor and an intrusion in this life. But I can’t help but believe that becoming blocked is often caused by our unwillingness to let go. Whenever I have experienced writer’s block, it is hard to even bring myself to look at a blank piece of paper. I feel embarrassed that I am unable to produce anything. But when we are blocked, the page is exactly where we need to go. The page is where the words meet us. They can’t lead us to the story if we don’t show up. Dillard illustrates the page’s importance:

“Who will teach me to write? a reader wanted to know.
The page, the page, that eternal blankness, the blankness of eternity which you cover slowly, affirming time’s scrawl as a right and your daring as necessity…the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life’s strength: that page will teach you to write.”

To be sure, it is a scary proposition to constantly face blankness, ever aware of the possibility that the words won’t be there. Which is why writing is an act of faith. We show up believing, trusting, that the words will be there. We have to trust, because trust is the only way the words will reveal themselves. They wait for us to prove we are committed, that we won’t abandon them when they take a divergent path, that we will follow them dutifully.

Upon concluding The Writing Life, a non-writer might be compelled to ask, “Why on earth would anyone choose to live this way?” A writer might very well ask the same question. Dillard, though, doesn’t take up this issue. She doesn’t tell us why we should write or try to convince us of writing’s nobility. The Writing Life isn’t an answer for those who wonder if they should become a writer. Rather, it is a blanket of courage for those who have decided that this life is the only way.

***

Percy Heath and Jimmy Heath

Tom Marcello, Creative Commons

I watch the jazz players as they affirm one another’s songs. Friends sitting on a back porch enjoying a southern summer breeze reminiscing over stories told many times before. They never tire of hearing the same stories because the inflections are new and the details are re-imagined. And anyway, the point of the story is its telling, the collaboration, the journey filled with laughs and new sounds recorded for future remembrances.

The writer’s life is different. It is solitary, sometimes nauseating. There are no affirmations on the road. We walk by faith. We surrender to this life because we have questions that need to be answered and no other way of answering them. The story, in its finality, is the most important thing because there we find our understanding. The journey makes no sense without the end.

Put another way: ours is not an art made from fun. But for fun, we turn to jazz.

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Lists, blessings, and a free bagel

Photo: Me. A true look at my life in sticky notes.

I make lists. I leave them scattered throughout my life: all over my apartment, on my desk at work, in a notebook that I bought specifically for list holding. Once, when I had friends over, I looked around my apartment and noticed how many notes and lists I had posted all over the place. I asked them, “Does it look like a crazy person lives here?” They said no. My friends are kind.

For me, lists are calming. I consider myself a pretty low-key person on the outside. Inside, however, my mind is constantly racing as I try to mentally schedule time for all the things that I:

  • Want to do – read, sit by water fountains, look at art, eat chocolate croissants, watch reality TV unencumbered by guilt; and
  • Agreed to do – write a press release, attend a fundraiser, join a conference call; and
  • Should do – my 9-5 work uninterrupted by Twitter, my dream follower work uninterrupted by Twitter, balance my checkbook, call my friend back, exercise, cook; and
  • Consciously avoid doing – opening my mail.

And in the course of figuring out how all of those things will get done, I reach an anxiety level that would make Woody Allen proud. So I make lists. In truth, it’s not really about the lists themselves. I usually forget to look at them. The lists are a way to calm and affirm. Towards calm, lists help me identify all the things that occupy my mind at any given moment and, in doing so, take away their power to drive me crazy.

“I see you bridesmaid’s dress that needs hemming. One of us will win this battle for my sanity and it will not be you.”

It is also affirming to write things down that should receive more attention. I have a note on my desk that says “Just Breathe.” You’d think I wouldn’t have to remind myself to breathe, but you’d be surprised.

I’m not the only one who sees the power of writing things down. This blog post from Pick The Brain suggests that writing down what causes anxiety is a great way to quell worry. Further, the post reads, it is good to make a list of blessings—a great idea for “Grade-A” worriers like me; before I leave my home in the morning, I am already counting the things that I’m probably not going to get done that day. How much energy do I waste doing this? What if, instead, I counted all my blessings—all the ways that life is out to help me win?

Here’s my list of blessings that I’m grateful for:

God’s protection
Health
Writing
Writers
Humor
Coffee–even decaf
Fortitude
Creativity
Books
Art
Music
Family
My life in DC
Introspection
Friends that forgive my forgetfulness
People who believe in me without being asked to
Opportunities to meet people who are following their dreams at all costs
Inspiration
My subconscious that helps me write from time to time
Every day that I get a new chance to get it right…

…and, the free bagel I received just minutes after I drafted this (true story).

It’s hard to stress about things once you’ve been the receiver of a random act of bagel kindness…and this list will forever be a reminder.

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